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LIFEDRAWING.ART
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July's models
Here is this month’s line-up. Remember, sometimes models need to cancel,
so always check the website for an up-to-date schedule.
We do not send emails for model changes.
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Tickets & pricing
Invite friends to draw with you and take advantage
of the accumulated discount.
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General admission |
£12.50
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Drop-In (on the door) |
£15.00
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Five session pass (£10 x 5) |
£50.00
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Art Announcements
Exhibitions, events, and stories from the world of life drawing and beyond.
These are also shared on the artist section of the website, only the newest ones are featured in the newsletter.
If you have something you want to share, let us know!
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 The Coming of Age
A fascinating look at how life drawing shaped the foundations of Western art from the Renaissance to today. It explores experiences and perceptions of ageing, from adolescence to later life, and asks how societies can adapt for us all to age better. Read more |  Nhu Xuan Hua: Of Walking on Fire
Working at the intersection of art and fashion photography, Nhu Xuan Hua reflects on the fragility of how stories are communicated - or withheld - across generations. Read more |
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Art(icles) by art(ists)
Recently we approached a few the people in our life drawing
community, and asked them to write about something that matters to them.
The depth of subjects and creative voices inpired me to capture and
share them on a blog, and promote them as teaser in the newsletter.
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Identikit is also art
by Phillip Ward-Jackson
- 929 words
(4 min read)
Delving into the Artistic Challenges: Unraveling the Complexities of Portraiture, Life Drawing, and Forensic Art
In 1956 the Royal Canadian Mounted Police commissioned a sort of identikit portrait sculpture of a murderer at large, to assist in his pursuit. The sculptor, John Reginald Abbott, himself a member of the RCMP, had been sent to train as a sculptor at Columbia University in New York. He had already exhibited a certain skill in modelling, and it was thought that attending a course would help him to produce more effective tools for the detection of criminals. The head that he produced of the murderer, known at the time only under his alias of "John Cameron", was put together on the basis of eye-witness accounts and was, as usual with such reconstitutions, a rather weird looking thing. It didn't lead to an identification
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(continue reading)
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